Collection: Agustín Alamán ┃ Abstract Work
Agustín Alamán (Tabernas de Isuela, Huesca, 1921 – Madrid, 1995) was a Spanish painter whose work falls within the abstraction and informalism movements of the 20th century. His canvases are notable for their experimentation with materials such as plaster, sand, marble dust, and wood, creating compositions rich in texture, color, and expressive power. After establishing his career in Uruguay and Latin America, Alamán returned to Spain, leaving a legacy that combines innovation, plastic force, and modernity.
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Biography
Huesca, 1921 – Madrid, 1995. Agustín Alamán emigrated to France in 1939, before the end of the Spanish Civil War, and endured terrible years in concentration camps. Settling in Alés, Alamán began painting on his own. In 1948, he joined the Art Cévenol art society and participated in several group exhibitions in the
mentioned institution, and in another of Spanish refugee painters in Toulouse, with the participation of Picasso, until 1954.
Alamán then began his exploration of abstraction in 1954 and settled in Montevideo, Uruguay, in 1955. There he held his first solo exhibition at the Alfa Bookstore of publisher Benito Milla. These were small-format paintings within the abstract style, where fluid materials and intentional graphic elements foreshadowed an erratic, romantic expressionist spirit.
A visit to an exhibition of Victor Vasarely, the master of kinetic art, in 1958, brought about a substantial shift in Alamán's work. He successfully assimilated the geometric canon, achieving a refined technique in what can be considered a fruitful period, marked by personal discoveries on par with those of the Uruguayan artists José P. Costigliolo, María Freire, and Antonio Llorens, pioneers of that movement.
In the seventies, Agustín Alamán created the Hiroshima series to portray the victims of the atomic bombings of that city with a primitive force similar to prehistoric art.
AWARDS
1961. First prize “Arcobaleno” Punta del Este (Uruguay,
1964. Second prize at the American Biennial of Art. Córdoba, Argentina
MUSEUM WORKS
National Museum of Fine Arts, Madrid
Museum of the Americas, Madrid
Juan Manuel Blanes Museum of Montevideo
Contemporary Museum of Chile
Museum of Fine Arts of Caracas
Museum of Fine Arts of Buenos Aires
Säo Paulo Museum of Modern Art
Museum of Modern Art of Rio de Janeiro
Malcolm-Forbes Collection, New York
South American Art Collection, University of Texas, USA.
Kaiser Industries Collection, Córdoba, Argentina
SELECTED EXHIBITIONS
Of Agustín Alamán's more than one hundred exhibitions, the following stand out:
1963. General Electric Institute
1964. Uruguayan Painters. Divulgaçao Gallery, Lisbon
Museum of Modern Art of Buenos Aires
1965. South American Gallery, New York
1966. Lambert Gallery. Buenos Aires, Argentina
Retrospective exhibition. National Fine Arts Salon, Montevideo, Uruguay
1968. Lima Biennial. Peru
Cali Biennial, Colombia
1969.VII Säo Paulo Biennial, Brazil
University Gallery, Montevideo, Uruguay
1971. Grosvenor Gallery, Madrid
1972. Gaudí Hall, Barcelona
Varrón Gallery, Salamanca
15th Century House, Segovia
Exhibition of Masters of Spanish Painting
1974. International Biennial of Serian Art
1977. Varrón Gallery, Salamanca
1979. Varrón Gallery, Salamanca
Gastón Room, Zaragoza
1981. Diart, Madrid
1982-1986. Madrid International Contemporary Art Fair
2019. Huesca Casino
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Agustín Alamán - Hiroshima 11
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Agustín Alamán - Hiroshima 22
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Agustín Alamán - Hiroshima 17
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Agustín Alamán - Hiroshima 16
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Agustín Alamán - Hiroshima 20
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Sold outAgustín Alamán - Hiroshima 8
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Agustín Alamán - Hiroshima 13
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Agustín Alamán - Hiroshima D-3
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Agustín Alamán - Hiroshima 15
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Agustín Alamán - Hiroshima 19
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Agustín Alamán - The Mona Lisa
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